Kojima interpreted the convergence of phone, player, console and…

Kojima wrote that the various incarnations of the Walkman had supported him through half of his life: during heartbreak, despair, mistakes, sickness, low spirits, loss, fear of dying, pressure, stress, feelings of failure, and creative drought. He summarized that companionship as two people walking together with three legs between them.

Kojima even used the Walkman at home because he needed private music for any activity. He pushed each player so hard that, on average, he wore one out every two to three years and replaced it; along the way he also cheated on Sony with Aiwa and Panasonic.

Kojima says one must live with one’s receptive antennae out and scanning in all directions, an exhausting attention to diverse stimuli. His process is to hold onto what sparks interest, turn it over in the mind, shape it, and bring it out into the world; the same material absorbed can reappear as an essay, lyrics, sound, performance, or a video game depending on the medium and the creator’s technique.

“The key to all of it, is the live element. Video games are a form of media in which the developer tries to create an experience that will bring joy to the player. [...] But in doing so there's an element of compulsion, of the player merely re-tracing the path the developer has laid out in advance for them.”

“It's limitless and you never get bored of it. It's irresistible fun.”