Kobe

“There was a period, before my Father died, where I thought I'd become an artist, but my Father died very suddenly when I was 13. My family was full of artists, you see, and they hadn't been able to make a living off of it.”

As his eldest son grew, Kojima stopped visiting Kamakura and likewise became too lazy to go back to Kobe; Umimachi Diary reminded him of what he had lost and what he must not forget. At the end of that summer he went to Hayama with his younger son, and from the train saw the sea where he had played with his father and where he had gone with his first son, and he decided to resume that diary of outings when the younger son is old enough.

“I came to Tokyo in 1996, not too long after going through the Kobe earthquake. At that time, I was making a game called Policenauts, and when we were working on the Sega Saturn version, Mr. Mamoru Oshii and I met and had our first conversation.”

“So, we could put audio on there, and now games could talk. No one had made anything with CD-ROMs yet.”

“I was basically scammed. I didn't know anything. I didn't even know how recording worked.”

Kojima, raised in Kansai, says he loves Osaka's takoyaki and Kobe's akashiyaki; he recounts that there the custom is to make them yourself, with 'takoyaki parties' in which each friend brings ingredients, and that for him they were special precisely because they demand achieving the perfect sphere.

“I even used to grind the beans myself, but recently, I just use Nespresso. ... I drink about maybe 7 cups a day? ... for the last 30 years, I take it black. I used to live in Kobe. They have the best coffee.”