As his eldest son grew, Kojima stopped visiting Kamakura and likewise became too lazy to go back to Kobe; Umimachi Diary reminded him of what he had lost and what he must not forget. At the end of that summer he went to Hayama with his younger son, and from the train saw the sea where he had played with his father and where he had gone with his first son, and he decided to resume that diary of outings when the younger son is old enough.
As his eldest son grew, Kojima stopped visiting Kamakura and likewise…
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“There was a period, before my Father died, where I thought I'd become an artist, but my Father died very suddenly when I was 13. My family was full of artists, you see, and they hadn't been able to make a living off of it.”
film 2003 shmuplations.com; Boktai interview in Nintendo Dream No. 86 (2003), unofficial English translation -
Kojima lived near the sea in Tsujido until he was three, and after returning to the nearby Tokyo area in 1996 he took his eldest son many times to the coastal towns of his memories. On one route in Enoshima they saw fish, ate rice with seafood and manju buns, rode the ESCAR toll escalator—which Kojima called a rip-off—returned by ferry and ended the day in a café: Kojima drank coffee, the boy had juice, and Southern All-Stars songs played in the background.
travel 2011-11 VIZ Media — The Creative Gene; official English translation -
Kojima recalled that when his son was small they did all kinds of activities and trips together, but that abruptly ended when his son started junior high and preferred to be with his friends. Since Kojima's own father died when he was thirteen and he had no experience of going through adolescence with a father, he said he did not know what closeness or distance to adopt with his son; he sought guidance by rereading Early Autumn.
connection 2010-11 VIZ Media — The Creative Gene; official English translation -
In February 2011, Kojima detoured from a business trip to visit his father’s grave near his old house and rode the Hankyu Railway for the first time in a year. He did not know anyone on the train; the view outside had changed greatly since he had lived there and the train car’s interior had been modernized, but the cozy, cradle-like sway felt nostalgic. He described the Hankyu not merely as transportation but as a time machine to his hometown and his memories.
travel 2011-05 VIZ Media — The Creative Gene; official English translation -
Kojima spent thirty-five years wondering what his father had been trying to tell him with his look before dying. Reading Hoshiyadori no Koe made him understand that he had not lost his father completely: he carried his father’s voice inside him and heard it as an instruction to look after others. He connected that revelation to a future moment when he himself would pass his memes to his children and they would understand his look.
death 2012-04 VIZ Media — The Creative Gene; official English translation