What moved Kojima most about All She Was Worth was that the suspect…

Kojima placed All She Was Worth among his fifty all-time favorite books and called it his favorite work by Miyuki Miyabe. Twenty years after its publication, he linked its depiction of a daily hell of credit and debt to new forms of economic dematerialization; in 2012 he pointed to the complete gacha controversy in social games as a possible warning sign of another predatory machinery.

Kojima ended his recommendation of And Then There Were None with a joke: he claimed there were eleven victims, not ten, because after “there were none” Christie killed another person — the reader — with her charm. He named himself as that victim and concluded that the Kojima who hated books had thus disappeared.

Kojima finished reading the advance proof of Chris Whitaker’s novel “All the Colors of the Dark.” He said Whitaker elevates mystery into literature and described the novel as a story that made him emotionally invested in its characters, kept him turning the pages despite not wanting it to end and feeling dread in its latter half, and ultimately bathes the reader in a “color of hope” beneath human darkness. He called it the best book he had read that year.

Kojima finished reading Thomas Knüwer’s “Das Haus in dem Gudelia stirbt” (“The House Where Gudelia Dies”). He described it as a German mystery about Gudelia, a lonely 81-year-old woman who narrates in the first person the sad past behind her attachment to a house, in a story moving between 2024, 1998, and 1984 whose present-day events unfold during a devastating flood. He said it is not the kind of mystery that begins with a dead body and proceeds through an investigation by a detective or police officer; he said that from around the middle it makes the reader reluctant to learn the answer to what happened and that, rather than being a whodunit, it goes deeper into both the human side of the story and the mystery itself. He recommended it.

“Molly is just a little bit clumsy at life.”