Kojima bought Hankyu Densha solely for its cover and title. He began reading it propelled by railway nostalgia, became caught by the book’s gentle, almost maternal wistfulness, and joked that he finished it at express-train speed.
Kojima bought Hankyu Densha solely for its cover and title. He began…
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In 1974 Kojima attended a tutoring school in another city more for the adventure of the commute than for studying. One rainy day he took shelter in a bookstore in Ikeda, and the large cover of the novelization Columbo: Publish or Perish, which contained black-and-white photographs inside, led him to buy with his allowance the first book he had chosen out of his own interest. He used each photograph, appearing about every twenty pages, like a breath of air and read all 261 pages in one sitting.
creativity 2007-06 VIZ Media — The Creative Gene; official English translation -
In February 2011, Kojima detoured from a business trip to visit his father’s grave near his old house and rode the Hankyu Railway for the first time in a year. He did not know anyone on the train; the view outside had changed greatly since he had lived there and the train car’s interior had been modernized, but the cozy, cradle-like sway felt nostalgic. He described the Hankyu not merely as transportation but as a time machine to his hometown and his memories.
travel 2011-05 VIZ Media — The Creative Gene; official English translation -
Kojima found a new edition of Seicho Matsumoto’s “Amsterdam Unga Satsujin Jiken” at a bookstore and picked it up. He called it a nostalgic find and remembered reading the Kappa Novels edition as a child, borrowing the copy his mother was reading.
connection 2026-09-26 X · @HIDEO_KOJIMA_EN -
“Every time I went, there were less and less books available. And then I realized it was because I was buying all the books.”
solitude 2022-10 HIDEO KOJIMA presents Brain Structure, ep. 8 «Hideo Kojima x Books» (Spotify Studios × Kojima Productions); official English dub, own transcription -
Kojima discovered Shadow 81 while in his second year of junior high when a faceup stack of the foreign genre novel stood out in Shinchosha’s new-release section; he associated Shinchosha with serious classics and the publisher’s tactfully elegant cover completed the attraction. Thirty-five years later he reread the book and, on a Hayakawa reprint, found his own obi endorsement: he described the novel as his absolute favorite and said he had never seen a plot that surpassed it.
creativity 2012-11 VIZ Media — The Creative Gene; official English translation