At 43, Kojima ranked his three vital cultural nutrients as movies,…

“It was during that time that my parents introduced a family tradition: every night we would all watch a film together. I wasn't allowed to go to bed till the film had finished: the opposite of how it is for most children.”

Kojima placed his awakening to reading in fifth grade, when he plunged into mystery novels from around the world. He continued with them through sixth grade, and upon finishing elementary school he moved on to science fiction, which he described as his companion until college; from that period he barely remembers reading anything else.

Kojima described his father as a chemist involved in the development of new medicines who, within the corporate structure, was nevertheless a salaryman enduring crowded trains, conflicts with coworkers and persistent fatigue while continuing to work, and who finally managed to buy a house in a Kansai suburb. In that newly created town with no shared past, families and children measured one another by academic background and job title as if playing a card game; Kojima rebelled by choosing the then-young video game industry, where he believed titles weren’t necessary and only a person’s ability mattered.

Kojima recalls that, as a child, he was the first to come home alone: turning on the lights was his duty and opening a book in solitude became his routine. He says books kept the feelings of isolation and loneliness from crushing him, and that after his father’s early death he found within books adults and teachers who served as guides and role models.

Kojima recalled that when his son was small they did all kinds of activities and trips together, but that abruptly ended when his son started junior high and preferred to be with his friends. Since Kojima's own father died when he was thirteen and he had no experience of going through adolescence with a father, he said he did not know what closeness or distance to adopt with his son; he sought guidance by rereading Early Autumn.