Coincidence and traveling are very important to living creatures… if…

“On the internet, like in games, we're all competing for a headshot. Of course it's fun, but we're animals and can't live alone. I want people to experience the meaning of connection through Death Stranding's world and its systems.”

“Should We Have Connected?”

“This is about an era of individualism. Everyone is fragmented, in America or Europe, but at the same time we're connected by the internet. This magical technology should have made people happy, but we're battling each other.”

“That's why I added this indirect online connection in the game — so that people will feel it's alright, it's okay. You're relieved that you're not alone. You see other people's footprints and think it's not just me here.”

Kojima designed the online relationships in Death Stranding so players do not meet directly but leave objects and “likes.” He gave the example of finding on a path a musical device abandoned by someone else: it only lets you infer that they liked that song, yet it turns a solitary walk into one that reveals another presence. In contrast to the frontal dialogue of social media, he wanted a cushioned connection that forces the player to imagine who was there and what they were thinking.