Kojima admitted that analyzing past successes can produce a sellable, low-risk product, but he rejected that method because tomorrow always arrives and what was accepted yesterday does not remain the same. He held that past experiences are necessary not to imitate but to connect differently; therefore he reads, watches movies, listens to music, visits museums, and meets people as a practice to learn from history and create the future.
Kojima admitted that analyzing past successes can produce a sellable,…
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“I think that creating things is a means to say goodbye to your past self, so I think what you're saying is exactly right.”
creativity 2022-11 HIDEO KOJIMA presents Brain Structure, ep. 12 «Hideo Kojima x Joseph Kosinski» (Spotify Studios × Kojima Productions); official English dub, own transcription -
“So, it's all about just how many I can come across in my short life. That's why I go to the bookstore.”
creativity 2022-10 HIDEO KOJIMA presents Brain Structure, ep. 8 «Hideo Kojima x Books» (Spotify Studios × Kojima Productions); official English dub, own transcription -
Kojima argued that stories about impossible journeys can circulate through culture and help turn them into reality. In response to accusations of escapism, he maintained that fiction contains truth and can serve as a frontline tool to correct real-world problems; for that reason he wants to continue telling stories and creating connections between people, worlds, and times.
creativity 2019-07 VIZ Media — The Creative Gene; official English translation -
Kojima said he never runs out of things he wants to do because technology keeps advancing and ideas come to him effortlessly. Although his team sometimes puts the brakes on proposals for having no precedent, he maintained that almost nothing is impossible; he added the inverse limit that if he himself perceives an idea will not be interesting, he must stop it even when it is already highly developed.
technology 2019-08 VIZ Media — The Creative Gene; official English translation -
“Cinema, on the other hand, has a live quality. There's not much you can do about the weather on a given day, or the interplay of light and shadow at a certain time. And that's what I love about it, the way a cohesive work is stitched together from moment to moment.”
film 1999 shmuplations.com; Kojima × Tsukamoto conversation in Game Hihyou magazine (1999), unofficial English translation